Showing posts with label 2013. Show all posts
Showing posts with label 2013. Show all posts

December 10, 2013

A border visit


Photos by Anikke Myers.

Migration is an activity that has been seen numerous times following a climactic mass-extinction event such as a catastrophic volcanic eruption on an island or the development of a bare site, called nudation.  Spores, bacteria, insects, and birds all bring about the initial establishment and initial growth of vegetation. Later, competition between species begins, and plant communities start to replace one another until finally stabilizing themselves or becoming self-perpetuating as a climax community.

On December 9, 2013, I traveled to El Paso, Texas to visit the border between Texas, New Mexico, and Chihuahua.

While there, I visited several locations along the US/Mexico border fence: Monument One, Casa de Adobe, the border fence separating Chihuahua and Texas, and the Stanton Street Bridge pedestrian crossing between the US & Mexico.

At each location, I collected microbe-laden samples from the structures using a cotton swab. Each swab was used to inoculate a Petri dish filled with an agar solution. The samples were labeled on site and transported back to Albuquerque in an incubator, where they have been growing ever since.

Feel free to have a look inside the incubator, I have brought a magnifying glass along for you to have a closer look if you would like. Please do not open the Petri dishes.

-Elizabeth Shores







December 7, 2013

Land Arts of the American West Exhibition 2013



Monday, December 2nd, 2013
Photos: Ryan Henel

Installation View

Following our return from the field, Land Arts students produced work for the Land Arts exhibition at the John Sommer's Gallery at the University of New Mexico in Albuquerque. 



Works included live performances, sculpture, ceramics, video, projection, photography, painting, printmaking, installation, and combinations of the above. 

The opening was a wonderful event full of great conversation and laughter. Thank you to everyone who traveled to campus to view the show!
Projection still, Chitra Sangtani, Untitled (walking in bowls of water across river)
Installation View
Emily Gonzales, Three Weeks into the Field
Randal Romwalter, Untitled
Installation View






December 2, 2013

Land Arts of the American West Exhibition 2013



Land Arts of the American West Exhibition 2013



Exhibition Dates Dec 2 - Dec 6, 2013

Opening Reception: Monday, December 2nd, 5-8 pm


John Sommers Gallery
2nd Floor, Art Building, Room 202
Department  of Art and Art History
University of New Mexico
Albuquerque, NM 87131

Gallery hours:
Mon-Fri, 9am-5pm, Sat & Sun 12-4pm
505 277-0111

http://landarts.unm.edu/

Artists Include: Lara Goldmann, Emily Gonzales, Andre Liptay, Randal Romwalter, Chitra Sangtani, Carina Schnieders, Elizabeth Shores and Margaret Shuster




Land Arts of the American West at the University of New Mexico is made possible through generous contributions from Lannan Foundation.




October 30, 2013

Judd you did well


Chitra Sangtani

Judd you did well

Judd you did well
You articulated space
I liked the silver boxes that you placed
So neatly along the wall
You moved the whole door
Because the boxes looked wrong
I wonder would you move
Chairs all day long
Until the sun was
And the boxes were
Correct.

October 25, 2013

A stay in Marfa

Our last stop on our second journey was, you guessed it, MARFA!



Installation view, Donald Judd, 15 Untitled Works in Concrete, at the Chinati Foundation



The key thing about artwork in Marfa is that it must be seen in person, the viewers physical perception of the work is integral to it's meaning. Much like our experience at Walter de Maria's Lightning Field, visiting the artworks at Marfa lead to a very different experience and understanding of space and field. 

 During the day, students toured Prada Marfa, The Chinati Foundation (the full Chinati Collection, including Donald Judd's 100 Untitled Works in Mill Aluminum, as well as works by Carl Andre, Ingolfur Arnarsson, John Chamberlin, Dan Flavin, Ilya Kabakov, Richard Long, Claes Oldenburg, David Rabinowitch, John Wesley, and Coosje Van Bruggen). 

Students also spent a day touring the Judd Foundation (which includes Donald Judd's personal buildings: his architecture studio, his residence & studio aka The Block, and more). Students were given a closer look into how Donald Judd lived his life surrounded by and supported by his research and artwork.

At night students visited the numerous galleries, bookstores, and local establishments that make Marfa what it is. Before returning home to Albuquerque, we took a late-night drive to try our luck in the search for the famed Marfa Lights. 

This signals the end of our field journeys. Next up, our exhibition!


Photos by Elizabeth Shores.




October 22, 2013

Otero Mesa

            Otero Mesa is very open. The landscape has been altered very little by animals and humans. The sky is filled with stars at night and is white blue during the day. The sun sets in the evening very slowly and the colors linger behind. The moon has risen later each evening but every night it has been extremely luminescent so there is no need for a flashlight. There is a sense of infinity through the rolling plains during the day and through the endless starry sky during the night

10/22/13




Photograph: Emily Gonzales





October 21, 2013

Otero Mesa, New Mexico, October 21st, 2013



Marz Shuster

Otero Mesa, New Mexico, October 21st, 2013

            Scarlett Spiny Cactus Nestled Among Rocks 





Point to Earth Right Now, You Have Many Options of Where to Point

Point to Earth Right Now, You Have Many Options of Where to Point

Video still
-Elizabeth Shores

Otero Mesa





Students spent several days in Otero Mesa, a grasslands site in Southern New Mexico with guest Patrick Manning, Associate Professor of Photography at the University of New Mexico. 

It was inspiring to so much expansiveness after leaving the Gila Wilderness. A great deal of work happened at this site, including videos, performances, sculptures, and photography. 



Photo: Elizabeth Shores

October 19, 2013

Buena Vista Archive

Land Arts has a continuing relationship with the Barrio Buena Vista Community that spans over 5 years. Each year Land Arts students engage and collaborate with the community to develop a project. In the past, projects have responded to the needs and interests of community members. This year, students worked to create a way of highlighting and preserving a community resource - the unique history of Barrio Buena Vista.



A show plan was outlined and within less than 48 hours students collaborated on a showcase of materials gathered from the community to display at Centro Artistico y Cultural gallery, which is located in the neighborhood. Through an intense ideation session, proposals ranging from public art installations, tree plantings, to other infrastructural creations were all considered. From this conversation, the concept of creating an archive or collection arose from the many possibilities. 

This concept of an archive, would be activated through a public engagement where neighborhood members could bring their photographs and memorabilia to the gallery for display. This event would provide an opportunity for items to be photographed and catalogued both digitally and in print media on site. This initial event would “start” the archive, additional materials could then accumulate over time under the supervision of a local resident.

In addition to the photo archive, other forms of creative re-representation were also initiated.

A photo booth was set-up to document current residents as well as participants of the event. Also, a wall of possible future projects (created during the ideation process) were posted on a wall where residents could comment and contribute their ideas for projects that they would like to see happen in their neighborhood.



A room was designated for the collection of words - a space that asked visitors to write one word on an index card, which would describe the most important thing in their life. These words would later be added to a file in the archive.

Andre Liptay processing images

Images that were photographed or scanned were processed and printed on site. The prints would then be hung on the walls of the main gallery.

Over the four hours of the event, the walls of the gallery began to fill with images and information. Many community members reviewed the collected images and provided accounts of the people and places they represented. The atmosphere became a living environment of past, present, and future manifestations of a place called Buena Vista.



Land Arts students Randal Romwalter, Margaret Shuster, and Chitra Sangtani looking over photographs a local resident contributed.


This video presents materials contributed by the Buena Vista Community for the Buena Vista Archive as these photocopies of objects, images, and photographs were displayed on the walls of the Centro Artistico y Cultural and subsequently archived by Land Arts in the filing cabinet at the close of the event.

BUENA VISTA ARCHIVE: A filing cabinet designed to hold the evolving archive of Buena Vista and the Centro Artistico y Cultural.

The Buena Vista Archive was a collaborative project created by Land Arts of the American West students in partnership with the Centro Artistico y Cultural and the Buena Vista Community

October 18, 2013

Buena Vista Community Art Event

BUENA VISTA COMMUNITY ART EVENT:
Presenting the Photo Collection of Buena Vista
Saturday, October 19th
1pm to 5pm
Centro Artistico y Cultural
120 Courchesne, Buena Vista, El Paso, TX

The Buena Vista Archive is designed to document and preserve community history and identity. It is our hope that this project will function as an evolving process, created by those who participate now and in the future.

Buena Vista is a predominantly Mexican-American community located on the New Mexico/Texas/Chihuahua border that was a spillover from Smeltertown, Texas. It has been cut three times: once by Paisano, once by the freeway (I-10), and once by a retaining dam, leaving 1/3 to 1/2 of the original population and land area intact. Armando Carlos, Roberto Salas, and the Land Arts of the American West Program have been working together over the last five years to preserve and strengthen the community of Buena Vista through various political and artistic means.

All documents created for, generated, and displayed during this event will be added to the Buena Vista Archive at the end of the exhibition. The Buena Vista Archive will continue to evolve and grow over time, with the help and support of those who contribute. If you would like to add to this collection, please contact Roberto Salas at (619)886-1892.

Map of Gallery
1. BUENA VISTA ARCHIVE: A filing cabinet designed to hold the evolving archive of Buena Vista and the Centro Artistico y Cultural. Feel free to have a look inside, and add ideas, pictures, or thoughts.

2. BUENA VISTA PHOTO COLLECTION: Includes new and old photographs gathered throughout the neighborhood, as well as portraits of attendees at the event.

3. BUENA VISTA PROJECT IDEAS: Presentation of future ideas in the Buena Vista Neighborhood. What would you like to see? Add your ideas.

4. A WORD: What would be the one word that would be the most important to your life? A collection of words; a collection of person- al values; a collection and portrait of Buena Vista.

5. PHOTOBOOTH: Be part of the archive. Have a photo taken with the backdrop of the United States and Mexico. Additionally, personal objects can be archived after having been photographed.

6: ARCHIVE PROCESSING STATION: Location of performative processing and archiving of the content created for and generated during the event.

Organized by:
Armando Carlos
Lara Goldmann
Emily Gonzales
Jeanette Hart-Mann
Ryan Henel
André Liptay
Randal Romwalter
Roberto Salas
Chitra Sangtani
Carina Schnieders
Elizabeth Shores
Margaret Shuster

This project would was made possible with help and support from many individuals.
A special thanks to:

Land Arts of the American West, The University of New Mexico
Roberto Salas, Director, Centro Artistico y Cultural
Armando Carlos, President, The Buena Vista Neighborhood Association
Mrs. Cordero
Luis S. Jimenez
Gilbert Sanchez
The community of Buena Vista

Border Watershed



Buena Vista looking out across the Rio Grande to the border on Mount Cristo Rey.

Land Arts of the American West spent a week investigating the Rio Grande Watershed at the US/Mexico Border, El Paso, TX and collaborating on a social engagement project with the community of Buena Vista and the Centro Artistico y Cultural in El Paso, TX.

On our first day, we met up with the Center for Environmental Resource Management (CERM) at the University of Texas, El Paso for a brief introduction to water issues in this stretch of the Rio Grande. Bill Hargrove, Director of CERM, along with UTEP Biology Professor, Venessa Lougheed, presented several projects they are working on assessing surface and groundwater relationships as these are affected by biophysical, political, and social systems.

View from Rim Road Overlook across El Paso/Juarez and the channelized Rio Grande.

They discussed the channelization of the Rio Grande via the Chamizal Treaty that created the concrete-lined national boundary between the US and Mexico, controlling river flow as a physical mark of delineation. They pointed out inevitable problems ranging from loss of biodiversity, resiliency, and groundwater recharge to non-equitable inputs and outputs within the hydro-political system.

The US Department of the Interior has assessed the Rio Grande as having the highest  potential rate of conflict and crisis of any US river system. The question remains, is this still a river and/or what characterizes a riparian system when a river is without water.  This seems to be the biggest issue: inadequate water resources to serve all users, both human and not. Threats include salinization of surface and ground water, increased water demands, water quality impacts from agriculture, municipal, and industry, changing climate, and conflicting water management policies between bi-national orders.


Behind the fence. Rio Bravo (Rio Grande) trickle into Mexico from the American Dam.
American Dam diversion point where the Rio Grande is regulated between Texas and Mexico users.
American Channel, Rio Grande diversion to serve Texas water rights in the East Valley of El Paso.
John Sproul with Land Arts students.

John Sproul, manager of CERM Rio Bosque Wetland took Land Arts students on a tour of urban river infrastructure and discussed the wetland project east of El Paso.

The Rio Bosque Wetland Project serves as an experimental model for riparian and water quality research. It is the hope of CERM that through this experiment, science and policy can be integrated to create viable solutions that are replicable in the management of other desert rivers around the world.

Rio Bosque Wetlands river channel.

The historic Rio Grande channel was re-established as the central river meander through the Rio Bosque Wetlands, distributing water resources to the 372 acre complex. Over the last decade, drought conditions, water shortages, and increased temperature extremes have marginalized this riparian experiment to a small percentage of its actual land area, killing many of the transplanted Alamos and stressing other species. Mesquite, wolfberry, fourwing saltbush and a host of other native and invasive plants are slowly terraforming this habitat and creating a realistic portrait of the drier and hotter world to come.

Windmill and well at Rio Bosque Wetlands.

The recent addition of a well to the Rio Bosque Wetlands is now bringing supplemental water to a small section of this environment.  Plans are also in the works to pipe water from the local wastewater treatment plant and supply the wetlands with a permanent water source. The wetlands will then act as a water repository for downstream users while improving water quality through bioremediation.

At the Bridge to Nowhere in Buena Vista.

On the following day a tour of the local watershed took us back to basecamp and our host site of Buena Vista. Roberto Salas, Director of Centro Artistico y Cultural and Armando Carlos, President of Buena Vista Neighborhood Association led a walking tour of the area and discussed the fragmentation of this community through policies of eminent domain and political marginalization.  Cemex then drove us to visit the local accidental wetlands within Buena Vista, called Cement Lake, which has a been an oasis of lush riparian habitat and community reprieve from the concrete jungle of urbanization.

Land Arts students with MSHEA gear checking out Cement Lake.
Cement Lake interactive map at Centro Artistico y Cultural with community proposals for recreational open space at a nearby and thriving wetland.

Land Arts students then visited the Centro, where they would be organizing a collaborative experimental public engagement to be held on Oct 19th. With one and a half days to dialogue, organize, and produce the project, Land Arts students jumped in with feet on the ground running.

See upcoming posts for more on this extraordinary event.

Land Arts students making space by cleaning up the Centro and its landscape.
Near Buena Vista, Monument #1 marks the US/Mexico Border and the border of water allocation.

October 17, 2013

Buena Vista, (El Paso) TX, October 17th, 2013


Marz Shuster

            We visited the border site called Monument 1, which is between the United States and Mexico. It was so strange to step on each both sides of the border, but not be able to cross to the Mexican side due to our absent passports and the high international tension. Even though the land looks exactly the same on both sides, there is such a huge difference between the two countries. I could sense the tension between the United States and Mexico,  but nonetheless, 





A resonant conversation



Conversation between Lara Goldmann and Elizabeth Shores at the border between Texas and Chihuaha using walkie-talkies.
10/17/2013

Photo by Emily Gonzales

October 14, 2013

A Sketch

Emily Gonzales

October 11, 2013

The Gila Wilderness, New Mexico, October 11, 2013


Marz Shuster


                  Calm Quiet

            Together we sit,
            Surrounded by the quiet chirp of crickets,
            Rustle of the leaves,
            Beside a small hot spring,
            Warm water continually fills this pool.
            All is peaceful here, birds and bees,
            In this quiet natural state amongst the trees.
            Water flows, grass grows,
            A short respite
            From the Ordinary. 



October 10, 2013

Untitled No. 24


Chitra Sangtani

Untitled No. 24

The grass was
The tree is
The beetle becomes
The sea can be
The hand would
hold a foot
The knee could feel
cold or hot
To articulate
and to not
By the way
And so it seems

Gila Wilderness

Our third stop on the second journey of the watershed was Turkey Creek in the Gila Wilderness Area, Southwestern New Mexico.


In 1924, with the help of Aldo Leopold,
the Gila Wilderness was designated as the first Wilderness Area in the world.
Because of the recent floods (some of which we experienced at our first site in the Rio Grande National Forest of Colorado where we explored the headwaters of the Rio Grande), certain roads in our camp area had been washed away.

Students spent time exploring the nearby hot springs, building floating firepits in Turkey Creek, shooting videos along the mountains, building fences around their 'homes', and enjoying the peaceful sunsets along the waters edge. 



Variation in Isolation


-Elizabeth Shores

October 9, 2013

October 9th 2013 Cebolla Canyon and Petroglyphs


Marz Shuster

Seeing the petroglyphs on the rocks near our campsite today was a humbling experience. To think that they were created so many hundreds of years ago, and still exist today is quite incredible. Though the drawings are quite simple, I found them to be both inspiring and mysterious, and considering the fact that they were made with such primitive tools, in a way in which I do not fully comprehend, is awesome indeed.  




View of the ridge above the Petroglyphs, feeling inspired and awed.