By Paula D. Barteau
Cebolla Canyon
September 5, 2015
You can see the layers of time here. There are fossils in the rocks, potshards and petroglyphs, collapsing cabins from the homestead era, and the sounds of ATVs and gunfire up and down the road at night. It’s funny what those layers of time tempt you to imagine. People have been talking about their dreams here more than the other sites, talking about the energy, the magic. I felt it too, something about the night air that feels conscious and alive. I’ve attributed the possible creepiness to all the men with guns driving around looking to shoot some animals, but it’s interesting to think of some other kind of presence here and the different ways it might be perceived.
This place
reminds me of home. The landscape, the plants, grasshoppers the size of small
toads dressed in brilliant motifs. Teri, our guest artist, lead us in a deep
listening exercise the second day of camp. I was surprised to find that when I
closed my eyes and listened to the landscape I knew almost all the sounds I
heard. I was struck the most by the wind, I used to hate the windy season when
I was growing up, but I recognized the sound of the wind in the mountains like
something very specific from my childhood. It sounded like the voice of home.
It's nice to think that home is sentient, that it would be aware of me if I
came back.
Before we left, I decided that I wanted
to focus on the relationship between anthropomorphism and dehumanization as
tools to project values and thoughts onto things outside ourselves while
dismissing their actual existence. The idea of a place having some inherent
consciousness spoke to this train of thought and I tried to imagine how it
would manifest to other people. We think in terms of the things we’re familiar
with and the cultural associations that go with them, but there’s so much that
no one knows. I tend to think in terms
psychology, priming, the physiology of emotional response to external stimuli,
suggestibility in groups of people. Others might think in terms of history, or
spiritual energy. I talked with a friend once about how chemistry was magic,
that magic was not in any way effortless but one of the most tedious subjects
to understand. I have another friend who says the same thing about math, that
the moment of comprehension of what is actually going on mathematically can be
extremely ineffable and personal. I like the idea that magic doesn't depart with
mystery, but only starts to reveal itself with incremental understanding.
There
are so many things that no one knows, at least no one present; so many things
out of the reach of falsification, only accessible through subjective
conjecture. I like not knowing. I think a lot of people decide to believe in
their subjective conjectures, to feel like they know, people who believe in
science and spirits alike. It’s interesting how that happens, what we decide to
believe in, and how we cope with dissonance. My favorite coping mechanism is
not knowing.
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